eyE[before]Justin Bog

JB2Allow me to suspensefully assault the drum before me as I introduce you to the exceptional Justin Bog.

It is a great honour to get the chance to interview Justin, who is based out of the San Juan Islands, north of Seattle. I was just recently afforded the opportunity to beta-read his newly released novella ‘The Conversationalist’ and am a big fan of his dark psychological thrillers. He currently has a short story collection in print titled ‘Sandcastle and Other Stories’ and his debut novel, ‘Wake Me Up’, will be published by Green Darner Press in 2014. Aside from writing fiction, Justin is also the Senior Contributor and Editor at ‘In Classic Style’, and he also maintains a blog over at JustinBog.com.

And so, here he is.

The perceptive, pensive, and e’er poignant Justin Bog.


What first made you want to become a writer?

“As a child, this want remained undefined until I found a typewriter in the attic. After that, I never stopped writing, but I didn’t share my work with others very much. Once I learned how to read, early in the first grade, I always had my nose in a book—this was much preferable to math studies, even though I enjoyed the puzzling world of mathematics as well. Because I loved books so much, I dreamed of working in bookstores. I never dreamed of owning one, just had my heart set on being in the fiction department of a cozy bookstore like the basement bookstore in my hometown. That dream did come true; I worked in one large bookstore throughout college and then for three terrific independent bookstores over the next twenty years before moving to the Pacific Northwest to concentrate solely on my writing. I applied to MFA programs two years after graduating from the University of Michigan, where I had taken three years of creative writing courses. I was accepted into two programs and chose Bowling Green State University because it has a small, almost boutique, program. There is also a Visiting Writer year and Dan O’Brien, author of ‘Eminent Domain‘ and ‘Buffalo for the Broken Heart: Restoring Life to a Black Hills Ranch‘, took over the writing workshop one term. Even though I moved away from Harbor Springs, Michigan in 1993, and ‘Between the Covers Bookstore’ has changed ownership, I will be doing a reading and signing for the new proprietor on July 10th. I can’t wait to go back to northern Michigan.”

‘The Conversationalist’ being your second publication, did you feel any of the ‘2nd book’ stigma that writers often complain hangs over them after their first literary foray?

“Not at all. ‘The Conversationalist‘, a novella, would’ve fit well as the final piece after ‘Train Crash’ in ‘Sandcastle and Other Stories’, since it also has a character who seems obsessed by trains and how destructive they can be. I’ve been ready to publish my first novel since 2011, but decided to postpone that until after I introduced my work through a short story collection. I’m very happy with the choice I made. People seem to like my dark off-center tales, and I hope they enjoy meeting my new characters in ‘The Conversationalist‘. This one has a more direct plot, and a main character who is just sketchy enough to make me want to write about.”

How important do you believe observation of people to be when writing a story focused on interpersonal relationships? How much do you borrow from real life?

“Observation is paramount in most of the stories I tell. Someone even called them observational tales. I try to reveal character through observation—get into the psychology of what motivates certain broken types, or even the person we all walk by in everyday life without a second glance (or even a first). Everything comes from real life, but that’s just a jumping off point. I don’t write about friends, family, or acquaintances. ‘On the Back Staircase’ (is) the most autobiographical (short story I’ve written) because it is set in my childhood home and has a similar family of seven people, including two sets of twins, (but it) is not about my siblings or parents. I just talked about this with my twin brother. It’s not us, I said, and I stand by that. There are touchstones in the tale taken from my past, but the characters are fictional. All the characters in my writing are usually created out of thin air.”

Do you believe digital media (e-books) have changed the execution, demand, and ultimately the public reception of short stories and novellas?

“EBooks have changed everything about publishing, and maybe make shorter work, short stories, ‘singles’ and novellas readily available to readers in larger numbers. Short story collections, in general, did not sell well when I worked in bookstores. I read them, and believe other writers are the ones who read short fiction. eBooks are beginning to change this, make shorter work appealing because people can read them on their iPhones when waiting in any office, or in line at the Post Office—I do this, and love it. I hope to discover many more authors’ work this way. I love reading eBooks and print paperbacks in even measure. There’s nothing like the feel of turning real pages, and that’s why I am not bemoaning the loss of “real” books just yet. I’ll always buy them.”

If you could have a conversation with anyone, real or fictional, from throughout the span of human history, who would it be (bearing in mind that you have to murder them upon the conversation’s completion to ensure the preservation of the existential continuum)? 

“A macabre question to finish this interview off is perfect. But first I want to thank you Ryan for allowing me to share my writing thoughts here on your blog—kind of you.

“I have to choose someone to speak with, and in doing so, execute this person . . . sad for him, and I will choose someone fictional since then the murder aspect isn’t criminalized… I would love to have dinner (adding a meal in since it’s this character’s last supper) with The Count of Monte Cristo, Edmond Dantès. His story, told to perfection in what is my favorite classic novel of all time, the very first suspense novel written, is so complex, I know there are many other stories he could tell, and the more he reveals over this really long dinner will help prolong the grim reaper’s appearance. I should’ve chosen Scheherazade. :)”


conversationalistbookcoverjpgJustin Bog’s new eBook ‘The Conversationalist‘ is available for purchase from Amazon.com here. His collection of short stories, ‘Sandcastle and Other Stories‘ are available in both paperback and eBook form. His debut novel, ‘Wake Me Up‘ will be out in 2014, and you can follow his blog, JustinBog.com, for further updates and information on the up-and-coming projects of this very talented author. Thanks again Justin for making the time to speak with us. 🙂

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Bastion

the-last-human-on-earth

Set in stone, bronze, iron and gold,

The last legacy of man and God,

Bears witness to his dynasty’s demise.

Arms upheld denying chaos’ rise,

Crook laid down, with none to terrorise.

The epitome and essence of the human condition,

As slowly solitude aids orders expedition,

And humanity’s witness becomes history’s patrician.

Survival, endurance, and beastial roar,

Self styled God is made man once more.

But survival’s ward wears through self-contemplation,

External durance turns to internal altercation.

The garden of earthly delights is not dead,

While sap’s sickly sweet smell swims free through the head,

Flowing forth from the corpses now charged in his stead.

And in narcissistic utopia,

A unique cornucopia

Of insanities beset history’s end.

A life taken corrupts life’s rise and fall.

A punishment paid with no heed at all.


If you guys enjoyed this poem I wrote some time ago (which, incidentally, is about the last human), then be sure to check out the article I just wrote for Warhols Children, ‘The S.S. Pornocopia and Other Erotic Tales‘. It’s been a while since I’ve written an article for them, this one is about the ingrained role of pornography in modern culture. Enjoy! 🙂

The Anathema of Judgement

Lady-Justice-Marilyn-Monroe-Lanoo11It is the desire of the mind to structure the world around it.

It’s not a bad thing. Labouring under the presumption that the entirety of existence is capable of being pigeon-holed has brought us many great scientific realisations. But there is a danger in applying analytical mental associations within a moral or ethical context.

I am, in fact, talking about the perils of standing in judgement of one’s self or one’s environment.

Now, before I continue, let me just define what I mean by ‘judgement’. It may seem a matter of semantics, but I place a distinction between ‘judgement’ and ‘discernment’. To me, judgement is the act of placing a moral, ethical or analytical imperative for one ideal over another, i.e., that doctor is better than that car thief. Whereas I see discernment as the act of consciously perceiving a difference between two ideals, i.e., that doctor is different from that car thief. Though this distinction might seem subjective and differs depending on an individual’s understanding of the terms, I think that it’s an important one to make.

For those of you who don’t know, I used to work as an alternative health practitioner. The alternative therapy I practiced was a form of energetic healing which relied heavily on elements of counselling in order to get people to release their baggage of their own accord. And do you know what my years of energetic healing taught me?

People can be really hard on themselves.

Like, really hard on themselves. The more energetic work I practiced, the clearer it became that many people hold themselves just as accountable, if not more so, than anyone else in their environment. The harsher their judgement of their environment, the harsher their judgement of themselves, and this wasn’t just limited to moral and ethical judgement either. Many people would look at someone with a bigger slice of cake and think ‘that slice of cake is logically better than mine’. As a result, their subconscious would reach the analytical conclusion that it was therefore good to have a big slice of cake and bad to have a small slice of cake. By applying moral and ethical absolutes like ‘good’ and ‘bad’ to the analytical spectrum, it became easier to make sense of an oft chaotic world.

So, what’s the problem?

Logically, if you think it’s bad to have a small slice of cake, you’ll endeavour to get a bigger slice of cake. The act of observing the flaws inherent in your situation will only drive you to improve said situation… right?

Actually, no. Not always. A lot of the people that I met through my energetic healing who perceived themselves as ‘badended up vilifying themselves because, from a logical perspective, if their situation was bad then they, by association, were bad also. And if they were bad, how could they possibly fix themselves…?

Has it ever occurred to you that most people who pursue a life crime tend to come from troubled homes? Now, certainly it’s an easy argument to make that they’re the product of their environments. But bearing what I’ve said in mind, isn’t it easy to see how they might largely be the product of their own judgements and the way in which they’ve been taught to judge the world? i.e., if my situation is bad, therefore I am bad by association…

Judgement is an anathema, a poison that is deeply rooted in our society. Judging something to be ‘good’ is symptomatic of the same wound as judging something to be ‘bad’. They are two sides of the same coin; you can’t have one without the other.

I believe that it’s important to avoid judging the merit of everything from a position of analytical or moral imperative. We are just ants, scurrying about our tunnels, hungering after sugar and sunlight. How can we hope to see the full panorama of our existence when we only use our eyes?

Don’t choose to pass judgement, whether on yourselves or on each other. Instead, know discernment. Know that some things are different from other things. Know what you want, and be prepared to work towards it. But also know that no one thing is truly better or worse than any other.

Of course, if nothing is better than anything else, why bother aspiring towards anything? Without the carrot and the stick, how do we now function? No longer donkeys, but something more…

Still, that might be a discussion for another day. 😉

Arrested Development Lives (or ‘The Phoenix and the Ostrich’)

arrested_development

I promised it. You ached for it. So here it is.

My review of Season 4 of Arrested Development.

This has been a long time coming for me. My family and I quote the old series of Arrested Development back and forth relentlessly. If you haven’t seen Arrested Development before, go out and watch it right now. For those of you that have indeed done this, you will notice that the end of the 3rd season falls a bit flat. This is because Arrested Development was cancelled during its 3rd season. As a result, it’s has been off the air for close to 8 years… until last week, when the prodigal show returned.

For more information on why you should care about this fringe-dwelling cult television series, feel free to check out the article I wrote for Warhol’s Children on this subject (‘Arrested Development Released and Why You Should Care‘). In the mean time, the question hangs – is Arrested Development, the show about the family everyone loves to hate, still reconcilable 8 years after its violent and bloody assassination?

After watching one or two episodes, it quickly became apparent that this was not the show we left behind those many moons ago. The format is changed to the point that it’s nearly unrecognisable, favouring a more modern, realistic style of cinematic development as opposed to the quirky sitcom-y leanings of the old show. The jokes reflect this too, favouring plot development instead of over-the-top humour and repetitive gag jokes. Truthfully though, I was ok with the fact that they branched out. I feel like I might have been disappointed if they’d tried to duplicate a formula that was nearly a decade old at this point. As the premise of this new series is the ‘evolution’ (or possibly the ‘devolution’) of the Bluth family, a more serious tone really does suit the story-line while also distinguishing the series from its predecessor.

Every episode we watch deals with one (or two) members of the Bluth family at a time, while weaving the other family members’ interlocking stories in and out of the on-going arc. It’s an ambitious endeavour, especially since there are 15 episodes and each episode is 35 minutes long (15 minutes longer than the most U.S. sitcoms). For the most part it works, though once or twice I had to wrinkle my brain to try and remember who did what when, and how it connected. Apparently, part of the reason the story-lines unfold this way is due to scheduling conflicts between the actors, hence why there is only one scene throughout the entirety of the series where they all appear simultaneously. I did find myself missing the Bluth’s interactions as a family for this reason (“Look at banner, Michael!”). Still, there is a pot of gold at the end of the rainbow, in the form of a feature film which we will hopefully see before 2015. So, all hope is not lost for a full blown Bluth reunion

Even with this slightly confusing, puzzle-like format that is so different from what I’ve known, I can’t help but love season 4. It’s like seeing a group of old friends get back together; none of them are quite as you remember them, and observing that change is a reward in itself. Aside from which, there’s a lot of rewatch value in the 4th season of this heavily nuanced show, ripe for being slowly dissected and analysed at length.

I think I just blue myself.

Final score; 4 eyEs and 1 socket. Check it out. 🙂

GAME-OF-THRONES-ARRESTED-DEVELOPMENTSpeaking of reviews, friend of eyE Justin Bog has just released a novella (which I’ve had the pleasure of beta-reading and can whole heartedly recommend), titled ‘The Conversationalist‘. Honestly, Justin’s dark, pensive rhetoric really brought this thriller to life for me; a thought provoking, macabre mental journey. Head on over to Amazon and get yourself a copy, kids.

eyE[before]Adina West

AdinaWest300dpiThis week’s eyE is on the talented Adina West. I had the pleasure of seeing Adina speak in a panel at ‘Forest for the Trees’ as part of the Sydney Writer’s Festival last fortnight. Adina is an up-and-coming author who’s debut novel, ‘Dark Child’ is being released in a revolutionary serialised format by Momentum Books (a digital branch of Pan Macmillan). The episodic release of Adina’s exciting new paranormal fantasy series (which reached #1 in the iTunes book store in Australia and NZ on May 1st) has the potential to change the face of e-publishing as we know it. Luckily for us, Adina has been gracious enough to grace us with her presence.

An interview no independent or mainstream author should miss; the lovely, lively, and lexicological Adina West.


What first made you want to become a writer?

“I was bitten by the bug when I was too young to remember or pinpoint a reason. I’ve dallied with writing since I was in primary school, and I think I still have a hand-typed draft, with pictures, of a children’s book I wrote called ‘Maura goes shopping’. Yummy afternoon teas seemed to be a focus in my writing at that age. Very Enid Blyton!

“More to the point is what first made me finally make the mental leap to thinking seriously about seeking publication. And I can certainly identify that! It came from me reading Stephenie Meyer’s website, which at the time contained, and perhaps still does, a long account of the process she went through in writing Twilight in only a few months, and then sending it to a publisher on the urging of her sister. She mentioned fitting writing in around normal mothering duties like taking her kids to swimming lessons, and as I’d recently had my first child and was both sleep deprived and time poor, her story really resonated. It’s not a unique scenario by any means, but it came at the right time and spurred me on to take the next step. Self belief and persistence are enormously important to writers. I realised all sorts of things are possible if you want them badly enough.”

Your paranormal fantasy novel, ‘Dark Child’, has recently been released in a serialised format. Do you believe that serialisation of e-books and novels could become a standardised, or even more commonplace, form of release for e-books?

“It’s hard to say whether it’s a trend that will endure. It’s certainly very popular at the moment, particularly for self-published erotic fiction. It allows a first instalment to be offered cheaply or for free, and the ‘loss leader’ idea is a great marketing strategy in this electronic age when discoverability of product has become the single biggest sales barrier. Perhaps when the marketplace is flooded with serialised fiction this choice by authors and publishers will drop in popularity as it’ll no longer be a point of difference.

“But right now we’re seeing a resurgence not just of serialised e-books, where each instalment is often 20,000 words or less, but also anything written in a series. Series certainly aren’t new, particularly in fantasy where for years it’s probably fair to say they’ve been the dominant form. But in YA and NA fiction, and in both contemporary and traditional romance, it’s becoming more and more common to see authors writing books that are interlinked. One of the very newest trends I’ve noticed is where an author writes an interlinked pair of books, with both covering the same events but from opposing viewpoints (usually male and female protagonists). A recent example is author Jamie McGuire’s Beautiful Disaster/Walking Disaster duology.”

How do you envision the evolution of the paranormal fantasy genre in a ‘post-Twilight’ world?

“I’m not sure that should be phrased as a speculative question on what the future will hold because I think we’ve already seen very significant evolution in this genre since Twilight. An entire generation of teenagers has had their reading experience informed by its presence. The single biggest contribution Twilight’s success made was to move paranormal and urban fantasy fiction out of the shadowy realms of genre niche and into the mainstream market. Literally millions of new readers tried Twilight as their first ever foray into the genre, and have since become fans of paranormal fiction. YA fiction is certainly rife with paranormal offerings!

“With a vast increase in potential readership for the genre, so much more experimentation and genre blending is possible, and certainly people have realised the huge amount the genre offers to readers who love romance! Pre-Twilight, mainstream readers hadn’t heard of PNR (paranormal romance) at all, and the word ‘vampire’ would make them instantly anticipate a story steeped in horror and gothic elements. Times – and reader expectations – have certainly changed.”

As a writer of paranormal urban fantasy, how do you feel the advent of e-books, the internet, and the inevitability of globalisation have affected the narrative mechanics of the genre, particularly in regards to world culture?

“I think the directness of an author’s response to these changes is commensurate with their understanding and acceptance of such realities. The world can change all it wants, but some writers, and their readers, will continue on much as they always have. There are, and will always be, traditionalists. But within the genre as a whole, I think we’re already seeing big shifts, particularly from writers outside the U.S.. Hmmm, wonder why that is?

“Distribution of fiction has become international and I personally think the opportunity to cater for a much more diverse audience than ever before is a wonderful challenge. I think one author who is doing some very interesting things in this regard is New Zealand PNR/UF author Nalini Singh, who sets her work in a fictionalised near-future. She has stories that span the globe and include characters of every ethnicity and skin hue imaginable.

“Personally, I’m a bit of a magpie in this regard, and I’ve always liked the possibility of being able to pick and choose elements I’d like to include from as broad a range of options as possible! An international canvas suits me just fine. That said, I have my traditional leanings too. Having grown up with a vampire mythology rooted in Eastern Europe (where my mother was born, incidentally!) I have found it hard to discount this. But immortal or near immortal beings with plenty of time on their hands would logically have travelled the world, and there’s plenty of scope for narrative diversity in that.”

A dyslexic vampyre-slayer, a syphilitic succubus, and a werebadger with alopecia engage in violent combat to see who gets the last slice of birthday cake. Who is the obvious winner, and why?

“I don’t want to be the one to tell him, but that balding werebadger should see his GP ASAP. Alopecia is a symptom of second stage syphilis, so him and the succubus? Well, I don’t want to point fingers…but when she finds out what he’s ‘passed on’ (and a succubus always finds out – they’ll suck the answers right out of your mind at a moment of weakness) the two of them will be too busy fighting to notice the vampyre-slayer nipping in and scoffing that cake…”


DarkChild_OMNIBUS_Adina_WestAdina’s premiere paranormal fantasy book ‘Dark Child’ is out now. Episode 1 can be purchased here, or it can be bought as a collected Omnibus edition here. Also, be sure to check out Adina’s website – AdinaWest.com