I promised it. You ached for it. So here it is.
My review of Season 4 of Arrested Development.
This has been a long time coming for me. My family and I quote the old series of Arrested Development back and forth relentlessly. If you haven’t seen Arrested Development before, go out and watch it right now. For those of you that have indeed done this, you will notice that the end of the 3rd season falls a bit flat. This is because Arrested Development was cancelled during its 3rd season. As a result, it’s has been off the air for close to 8 years… until last week, when the prodigal show returned.
For more information on why you should care about this fringe-dwelling cult television series, feel free to check out the article I wrote for Warhol’s Children on this subject (‘Arrested Development Released and Why You Should Care‘). In the mean time, the question hangs – is Arrested Development, the show about the family everyone loves to hate, still reconcilable 8 years after its violent and bloody assassination?
After watching one or two episodes, it quickly became apparent that this was not the show we left behind those many moons ago. The format is changed to the point that it’s nearly unrecognisable, favouring a more modern, realistic style of cinematic development as opposed to the quirky sitcom-y leanings of the old show. The jokes reflect this too, favouring plot development instead of over-the-top humour and repetitive gag jokes. Truthfully though, I was ok with the fact that they branched out. I feel like I might have been disappointed if they’d tried to duplicate a formula that was nearly a decade old at this point. As the premise of this new series is the ‘evolution’ (or possibly the ‘devolution’) of the Bluth family, a more serious tone really does suit the story-line while also distinguishing the series from its predecessor.
Every episode we watch deals with one (or two) members of the Bluth family at a time, while weaving the other family members’ interlocking stories in and out of the on-going arc. It’s an ambitious endeavour, especially since there are 15 episodes and each episode is 35 minutes long (15 minutes longer than the most U.S. sitcoms). For the most part it works, though once or twice I had to wrinkle my brain to try and remember who did what when, and how it connected. Apparently, part of the reason the story-lines unfold this way is due to scheduling conflicts between the actors, hence why there is only one scene throughout the entirety of the series where they all appear simultaneously. I did find myself missing the Bluth’s interactions as a family for this reason (“Look at banner, Michael!”). Still, there is a pot of gold at the end of the rainbow, in the form of a feature film which we will hopefully see before 2015. So, all hope is not lost for a full blown Bluth reunion…
Even with this slightly confusing, puzzle-like format that is so different from what I’ve known, I can’t help but love season 4. It’s like seeing a group of old friends get back together; none of them are quite as you remember them, and observing that change is a reward in itself. Aside from which, there’s a lot of rewatch value in the 4th season of this heavily nuanced show, ripe for being slowly dissected and analysed at length.
I think I just blue myself.
Final score; 4 eyEs and 1 socket. Check it out. 🙂
Speaking of reviews, friend of eyE Justin Bog has just released a novella (which I’ve had the pleasure of beta-reading and can whole heartedly recommend), titled ‘The Conversationalist‘. Honestly, Justin’s dark, pensive rhetoric really brought this thriller to life for me; a thought provoking, macabre mental journey. Head on over to Amazon and get yourself a copy, kids.