This week’s eyE is on the talented Adina West. I had the pleasure of seeing Adina speak in a panel at ‘Forest for the Trees’ as part of the Sydney Writer’s Festival last fortnight. Adina is an up-and-coming author who’s debut novel, ‘Dark Child’ is being released in a revolutionary serialised format by Momentum Books (a digital branch of Pan Macmillan). The episodic release of Adina’s exciting new paranormal fantasy series (which reached #1 in the iTunes book store in Australia and NZ on May 1st) has the potential to change the face of e-publishing as we know it. Luckily for us, Adina has been gracious enough to grace us with her presence.
An interview no independent or mainstream author should miss; the lovely, lively, and lexicological Adina West.
What first made you want to become a writer?
“I was bitten by the bug when I was too young to remember or pinpoint a reason. I’ve dallied with writing since I was in primary school, and I think I still have a hand-typed draft, with pictures, of a children’s book I wrote called ‘Maura goes shopping’. Yummy afternoon teas seemed to be a focus in my writing at that age. Very Enid Blyton!
“More to the point is what first made me finally make the mental leap to thinking seriously about seeking publication. And I can certainly identify that! It came from me reading Stephenie Meyer’s website, which at the time contained, and perhaps still does, a long account of the process she went through in writing Twilight in only a few months, and then sending it to a publisher on the urging of her sister. She mentioned fitting writing in around normal mothering duties like taking her kids to swimming lessons, and as I’d recently had my first child and was both sleep deprived and time poor, her story really resonated. It’s not a unique scenario by any means, but it came at the right time and spurred me on to take the next step. Self belief and persistence are enormously important to writers. I realised all sorts of things are possible if you want them badly enough.”
Your paranormal fantasy novel, ‘Dark Child’, has recently been released in a serialised format. Do you believe that serialisation of e-books and novels could become a standardised, or even more commonplace, form of release for e-books?
“It’s hard to say whether it’s a trend that will endure. It’s certainly very popular at the moment, particularly for self-published erotic fiction. It allows a first instalment to be offered cheaply or for free, and the ‘loss leader’ idea is a great marketing strategy in this electronic age when discoverability of product has become the single biggest sales barrier. Perhaps when the marketplace is flooded with serialised fiction this choice by authors and publishers will drop in popularity as it’ll no longer be a point of difference.
“But right now we’re seeing a resurgence not just of serialised e-books, where each instalment is often 20,000 words or less, but also anything written in a series. Series certainly aren’t new, particularly in fantasy where for years it’s probably fair to say they’ve been the dominant form. But in YA and NA fiction, and in both contemporary and traditional romance, it’s becoming more and more common to see authors writing books that are interlinked. One of the very newest trends I’ve noticed is where an author writes an interlinked pair of books, with both covering the same events but from opposing viewpoints (usually male and female protagonists). A recent example is author Jamie McGuire’s Beautiful Disaster/Walking Disaster duology.”
How do you envision the evolution of the paranormal fantasy genre in a ‘post-Twilight’ world?
“I’m not sure that should be phrased as a speculative question on what the future will hold because I think we’ve already seen very significant evolution in this genre since Twilight. An entire generation of teenagers has had their reading experience informed by its presence. The single biggest contribution Twilight’s success made was to move paranormal and urban fantasy fiction out of the shadowy realms of genre niche and into the mainstream market. Literally millions of new readers tried Twilight as their first ever foray into the genre, and have since become fans of paranormal fiction. YA fiction is certainly rife with paranormal offerings!
“With a vast increase in potential readership for the genre, so much more experimentation and genre blending is possible, and certainly people have realised the huge amount the genre offers to readers who love romance! Pre-Twilight, mainstream readers hadn’t heard of PNR (paranormal romance) at all, and the word ‘vampire’ would make them instantly anticipate a story steeped in horror and gothic elements. Times – and reader expectations – have certainly changed.”
As a writer of paranormal urban fantasy, how do you feel the advent of e-books, the internet, and the inevitability of globalisation have affected the narrative mechanics of the genre, particularly in regards to world culture?
“I think the directness of an author’s response to these changes is commensurate with their understanding and acceptance of such realities. The world can change all it wants, but some writers, and their readers, will continue on much as they always have. There are, and will always be, traditionalists. But within the genre as a whole, I think we’re already seeing big shifts, particularly from writers outside the U.S.. Hmmm, wonder why that is?
“Distribution of fiction has become international and I personally think the opportunity to cater for a much more diverse audience than ever before is a wonderful challenge. I think one author who is doing some very interesting things in this regard is New Zealand PNR/UF author Nalini Singh, who sets her work in a fictionalised near-future. She has stories that span the globe and include characters of every ethnicity and skin hue imaginable.
“Personally, I’m a bit of a magpie in this regard, and I’ve always liked the possibility of being able to pick and choose elements I’d like to include from as broad a range of options as possible! An international canvas suits me just fine. That said, I have my traditional leanings too. Having grown up with a vampire mythology rooted in Eastern Europe (where my mother was born, incidentally!) I have found it hard to discount this. But immortal or near immortal beings with plenty of time on their hands would logically have travelled the world, and there’s plenty of scope for narrative diversity in that.”
A dyslexic vampyre-slayer, a syphilitic succubus, and a werebadger with alopecia engage in violent combat to see who gets the last slice of birthday cake. Who is the obvious winner, and why?
“I don’t want to be the one to tell him, but that balding werebadger should see his GP ASAP. Alopecia is a symptom of second stage syphilis, so him and the succubus? Well, I don’t want to point fingers…but when she finds out what he’s ‘passed on’ (and a succubus always finds out – they’ll suck the answers right out of your mind at a moment of weakness) the two of them will be too busy fighting to notice the vampyre-slayer nipping in and scoffing that cake…”
Adina’s premiere paranormal fantasy book ‘Dark Child’ is out now. Episode 1 can be purchased here, or it can be bought as a collected Omnibus edition here. Also, be sure to check out Adina’s website – AdinaWest.com