eyE[before]Adina West

AdinaWest300dpiThis week’s eyE is on the talented Adina West. I had the pleasure of seeing Adina speak in a panel at ‘Forest for the Trees’ as part of the Sydney Writer’s Festival last fortnight. Adina is an up-and-coming author who’s debut novel, ‘Dark Child’ is being released in a revolutionary serialised format by Momentum Books (a digital branch of Pan Macmillan). The episodic release of Adina’s exciting new paranormal fantasy series (which reached #1 in the iTunes book store in Australia and NZ on May 1st) has the potential to change the face of e-publishing as we know it. Luckily for us, Adina has been gracious enough to grace us with her presence.

An interview no independent or mainstream author should miss; the lovely, lively, and lexicological Adina West.


What first made you want to become a writer?

“I was bitten by the bug when I was too young to remember or pinpoint a reason. I’ve dallied with writing since I was in primary school, and I think I still have a hand-typed draft, with pictures, of a children’s book I wrote called ‘Maura goes shopping’. Yummy afternoon teas seemed to be a focus in my writing at that age. Very Enid Blyton!

“More to the point is what first made me finally make the mental leap to thinking seriously about seeking publication. And I can certainly identify that! It came from me reading Stephenie Meyer’s website, which at the time contained, and perhaps still does, a long account of the process she went through in writing Twilight in only a few months, and then sending it to a publisher on the urging of her sister. She mentioned fitting writing in around normal mothering duties like taking her kids to swimming lessons, and as I’d recently had my first child and was both sleep deprived and time poor, her story really resonated. It’s not a unique scenario by any means, but it came at the right time and spurred me on to take the next step. Self belief and persistence are enormously important to writers. I realised all sorts of things are possible if you want them badly enough.”

Your paranormal fantasy novel, ‘Dark Child’, has recently been released in a serialised format. Do you believe that serialisation of e-books and novels could become a standardised, or even more commonplace, form of release for e-books?

“It’s hard to say whether it’s a trend that will endure. It’s certainly very popular at the moment, particularly for self-published erotic fiction. It allows a first instalment to be offered cheaply or for free, and the ‘loss leader’ idea is a great marketing strategy in this electronic age when discoverability of product has become the single biggest sales barrier. Perhaps when the marketplace is flooded with serialised fiction this choice by authors and publishers will drop in popularity as it’ll no longer be a point of difference.

“But right now we’re seeing a resurgence not just of serialised e-books, where each instalment is often 20,000 words or less, but also anything written in a series. Series certainly aren’t new, particularly in fantasy where for years it’s probably fair to say they’ve been the dominant form. But in YA and NA fiction, and in both contemporary and traditional romance, it’s becoming more and more common to see authors writing books that are interlinked. One of the very newest trends I’ve noticed is where an author writes an interlinked pair of books, with both covering the same events but from opposing viewpoints (usually male and female protagonists). A recent example is author Jamie McGuire’s Beautiful Disaster/Walking Disaster duology.”

How do you envision the evolution of the paranormal fantasy genre in a ‘post-Twilight’ world?

“I’m not sure that should be phrased as a speculative question on what the future will hold because I think we’ve already seen very significant evolution in this genre since Twilight. An entire generation of teenagers has had their reading experience informed by its presence. The single biggest contribution Twilight’s success made was to move paranormal and urban fantasy fiction out of the shadowy realms of genre niche and into the mainstream market. Literally millions of new readers tried Twilight as their first ever foray into the genre, and have since become fans of paranormal fiction. YA fiction is certainly rife with paranormal offerings!

“With a vast increase in potential readership for the genre, so much more experimentation and genre blending is possible, and certainly people have realised the huge amount the genre offers to readers who love romance! Pre-Twilight, mainstream readers hadn’t heard of PNR (paranormal romance) at all, and the word ‘vampire’ would make them instantly anticipate a story steeped in horror and gothic elements. Times – and reader expectations – have certainly changed.”

As a writer of paranormal urban fantasy, how do you feel the advent of e-books, the internet, and the inevitability of globalisation have affected the narrative mechanics of the genre, particularly in regards to world culture?

“I think the directness of an author’s response to these changes is commensurate with their understanding and acceptance of such realities. The world can change all it wants, but some writers, and their readers, will continue on much as they always have. There are, and will always be, traditionalists. But within the genre as a whole, I think we’re already seeing big shifts, particularly from writers outside the U.S.. Hmmm, wonder why that is?

“Distribution of fiction has become international and I personally think the opportunity to cater for a much more diverse audience than ever before is a wonderful challenge. I think one author who is doing some very interesting things in this regard is New Zealand PNR/UF author Nalini Singh, who sets her work in a fictionalised near-future. She has stories that span the globe and include characters of every ethnicity and skin hue imaginable.

“Personally, I’m a bit of a magpie in this regard, and I’ve always liked the possibility of being able to pick and choose elements I’d like to include from as broad a range of options as possible! An international canvas suits me just fine. That said, I have my traditional leanings too. Having grown up with a vampire mythology rooted in Eastern Europe (where my mother was born, incidentally!) I have found it hard to discount this. But immortal or near immortal beings with plenty of time on their hands would logically have travelled the world, and there’s plenty of scope for narrative diversity in that.”

A dyslexic vampyre-slayer, a syphilitic succubus, and a werebadger with alopecia engage in violent combat to see who gets the last slice of birthday cake. Who is the obvious winner, and why?

“I don’t want to be the one to tell him, but that balding werebadger should see his GP ASAP. Alopecia is a symptom of second stage syphilis, so him and the succubus? Well, I don’t want to point fingers…but when she finds out what he’s ‘passed on’ (and a succubus always finds out – they’ll suck the answers right out of your mind at a moment of weakness) the two of them will be too busy fighting to notice the vampyre-slayer nipping in and scoffing that cake…”


DarkChild_OMNIBUS_Adina_WestAdina’s premiere paranormal fantasy book ‘Dark Child’ is out now. Episode 1 can be purchased here, or it can be bought as a collected Omnibus edition here. Also, be sure to check out Adina’s website – AdinaWest.com

eyE[before]Charles

Thcharles-yallowitzis week, I interviewed a regular fixture within the blogging community; the very talented Charles Edward Yallowitz. Though I have been all too certain Charles and I would cross paths eventually due to our mutual love of the fantasy genre, the chance to finally grill him is an exciting one. Charles is a fantasy author from Long Island who published the first book in his Legends of Windemere series at the start of this year, ‘Beginning of a Hero‘, which I am happy to say I recently added to my Kindle reading list. Charles also maintains a dedicated blog, featuring updates on the Legends of Windemere series aswell as tales about his trials and tribulations as an author.

A gifted story-teller, enigmatic blogger and esoteric imaginator; here are a few words from the fantastic Mr. Charles Yallowitz.


What first made you want to become a writer?

“At the age of 7, it sounded like it would help get women and free drinks. Seriously though, it really was a spontaneous spark that I couldn’t get out of my head. I still haven’t got it out of my head. I was 15 and I had just finished reading the first volume of Fred Saberhagen’s ‘Book of Lost Swords’. The idea that I could write popped into my head and I started designing characters for a book. I began writing short stories and excerpts for my English classes which got praise and it kept rolling from there.

“I think… it just kind of happened, and I found that it made me very happy. The idea of entertaining and inspiring someone with a story really connects with me. I’ve escaped into books since I was a child, so maybe part of me thinks this is a way to continue that tradition… the spark got set off in my brain and took over.”

Why appeals to you most about fantasy as a genre?

“The fantasy genre has a lot of standards, but a lot of flexibility. There are the traditions of swords, magic, dragons, and various other races. It’s a very time-tested genre. Yet, you can get away with more awe-inspiring moments than in other genres. A character diving into shadows as a mode of transportation is easier to explain through magic than technology. We have technology in our world, so you have people trying to figure out the physics. When you use magic, people are more willing to suspend disbelief.

“In terms of the flexibility, you can get away with changing the standards. In my world, I made orcs different than the wild marauders that most worlds use them for. They’re civilized even though they live in the wild and their species has a beauty and the beast thing going on. The males are ugly, brutish, powerful beings and their women are gorgeous Valkyrie-like beings. In a fantasy world, you can get away with altering stuff like this because there is nothing in the real-world for people to compare it to. If you try to have a human fly around space without a suit then you need to know your science and explain everything. People are a lot more critical of genres that take place anywhere near our reality.”

What do you think is the most important or defining aspect of a good fantasy novel?

“I’ve actually written and deleted so many things here because I can’t think of a defining aspect of fantasy. Typically, fantasy is a story that takes place with magic, or at least in a medieval-type setting. When you get into the future and technology, it becomes science-fiction. Unless it’s Star Wars, because the Force (essentially) turns that into fantasy… but (truthfully), I think it’s just in a genre all its own.

“I think the sign of a good fantasy novel are the heroes. Not so much that the heroes are brave and noble, but believable. A pitfall of fantasy is that you’re working in the genre that is the farthest removed from our reality. The heroes are the bridge between the reader and the world you’ve created. They need to feel relatable to the reader or you won’t draw them into the world. This can be done with flaws, quirks, and anything that makes the character more human. For example, Luke Callindor is cocky and brave, which makes sense for a new hero. To make him believable, I rarely let him get out of a situation unscathed. He screws up a lot, which has led to many readers telling me that he’s a character they can stand behind. The hero doesn’t have to be infallible for the story to be good. In fact, a character like that tends to hurt the story because the reader feels like there’s no risk of failure, so the ending is predetermined.”

As genre definitions continue to blur together, and it becomes increasingly popular to blend traditional fiction categories together (such as science fiction and horror, etc), where do you see the future of the fantasy genre heading?

“Fantasy has blurred with other genres for a long time, so I think it’s going to stay the course. You already see a lot of technology slipping into fantasy with the use of airships and lanterns appearing. The alteration of these objects is that they are powered by magic, so it’s more of a magi-tech society. It could lead to a sub-genre of magi-tech books within the overall genre. The sub-genre trend is probably going to be the big change.  Some people don’t even realize when they’re crossing genres now. For example, having a cowboy in a fantasy setting isn’t far-fetched thanks to Stephen King’sDark Tower. The same is going for zombies appearing in fantasy.”

You have to fight Luke Callindor (the main character from the ‘Legends of Windemere’ series) to the death, armed only with whatever you have in your pockets right now. Go.

“*looks down at pajamas* Well . . . I guess I’d run until I could find something to fight back with. Luke’s dual saber, flipping, jumping style isn’t easy to predict, so I’d probably keep tossing stuff at him. Try to keep him on the defensive with whatever I could get my hands on. I could throw him off his game by yelling secrets or see if I can rework him in my head to change him. You know, get rid of a leg or turn his swords into a pair of live eels that slip away. I wouldn’t win, but I’d like to think the moment Luke kills me, he’d blink out of existence too. Kill your creator and you go down with him.”


Charles’ blog can be found here – Legends of Windemere

And the first book in the Legends of Windemere series is available for purchase here (on sale for $2.99) – Beginning of a Hero – Book 1 of Legends of Windemere